Between the experimentation and materialization of concepts as physical objects reacting to its native environment, Mazon´s work explores relations and antagonism through unstable arrangements.
Contributors
Vincenzo Estremo is PHD in Audiovisual Studies at University of Udine and Kunstuneversität Linz. He has published several essays and scientific interventions in specialized journals and co-edited: Extended Temporalities. Transient Visions in Museum and Art (2016); Albert Serra, cinema arte e performance (2018); Teoria del lavoro reputazionale. Saggio sul capitalismo artistico (2020). He directs the online magazine Droste Effect and regularly collaborates with Flash Art. He is a lecturer in Curating of Moving Images at NABA, Milan and in Media Theory at Accademia di belle arti di Genova.
Dr. Violeta Moreno-Lax is Reader (Associate Professor) in Law, founder of the Immigration Law programme, and co-founder of the Centre for European and International Legal Affairs (CEILA) at Queen Mary University of London. She specialises in international and European migration and asylum law and borders and displacement studies, looking particularly at the issue of access to international protection, which she has investigated in her recent monograph: Accessing Asylum in Europe (Oxford University Press, 2017).
Vo Ezn /vɔ ɪzn/ -- sound && infrastructure artist, working on server-side tensions and introverted interfaces ][ figuring out tools for-to knowledge-sharing / opting-out / autonomy ][ --to-for-by-with on my own terms. ++ @ feminist server collectives Anarchaserver and Systerserver, and Solisoft [radical technology collective and solidarity network in NL.
Best described as a ‘hybrid agent’ or ‘Jill-of-all-trades’
With educations and working experiences in: fine art, new media, data-driven programming, landscape architecture, electoral campaigns and activists campaigns. She is also the co-founder of Poetics of Politics, a symposium program on digital geopolitics. Currently based in the Interface Culture Lab (Linz), she is researching on hybrid, outside political/technological workers in electoral politics.
Wanda (Maja Delak) is a choreographer and a dancer. In her author’s opus, she has traversed numerous worlds, which – despite the different themes and approaches to work – whirl into an anchorage of the author's dance poetics, with which she is making a clearer and clearer definition of the methodologies of contemporary art and dance. In 2010 she won the Prešeren Fund Award, the highest recognition for achievements in the field of art in the Republic of Slovenia.
I live in Pettenbach in the heart of Austria. Currently, I finished my Bachelor grade in Hardware/Software Systems Engineering at the University of Applied Sciences in Hagenberg, Austria. Starting with October 2007 I begin with my Master studies in Embedded Systems Design.
I am an open source advocate and Ubuntu user. As far as it is possible to get my everyday work done with it, I exclusively use open source software.
Wolfgang Spahn is an Austrian-German sound and visual artist based in Berlin. His work includes interactive installations, miniature-slide-paintings and performances of light & sound. His art explores the field of analogue and digital media and focusses on both their contradiction and their correlation. That's why he is also specialized in re-appropriated and re-purposed electronic technologies.