AMRO26
Becoming Unreadable
13th–16th May 2026, Linz (AT)

Festival dedicated to Art, Hacktivism and Open Culture
 

The 2026 edition ‘Becoming Unreadable’ engages with invisibility, unreadability, ungovernability, and uncomputability as strategies for resisting current tendencies of our networked times. AMRO26 aims at challenging the common understanding of AI, networks and computers, and through its programme, it explores approaches that offer real change: low-tech, feminist and community IT, computing within limits, up to even more radical ideas around de-computing, de-networking, de-scaling and de-platforming ourselves.
'Becoming Unreadable' involves evading surveillance by oligarchic tech corporations, operating under the radar, and refusing to comply with the total AI cloud. Non-commercial community infrastructures are fundamental tools in this process, but even more importantly, we need to develop new ways of understanding each other and being together as humans. See open call text↗

To know more about our quest for radical openness, have a look at the archive↗ of the past editions and the research labs↗ 


Programme Overview

> 12. May - Pre-opening 
18:30 / SPLACE / Kunstuniversität Linz / Hauptplatz 6 
> 13. May  - Opening  & Keynotes 
18:00 / Exhibition: From the Ashes of the Burnout Machines / Galerie MAERZ / Eisenbahngasse 20 
19:00 / Festival Opening & Keynotes / afo – architekturforum oberösterreich / Herbert-Bayer-Platz 1 
> 13. – 16. May, from 10:00-00+
Lectures, concerts, workshops, exhibitions.
> 16. May – Nightline 
21:00-02:00 / STWST / Kirchengasse 4 
with Adel Faure & Rémi Georges, Arnica Montana, Jens Vetter, Lil Data, map(h), Mitsitron, MSHR, Orangetronic, Pasta Gang.
>  17. May – Beyond-festival
"Grieving a landscape", field Trip to a Google data center construction site with Christina Gruber.

 Discover the full programme↗


De-computing, De-networking, De-scaling, 
De-Platforming ourselves

Resisting computational depletion and totalizing AI
 

AMRO26 Becoming Unreadable interprets Dan McQuillan’s work into a broader inquiry into degrowth-oriented technological imaginaries. Such approaches are oriented toward a deconstruction of computational habits, and the unreflective use of digital resources, as well as in the articulation of alternative, ethics-oriented relationships to technology. In this sense, a set of operative gestures that extend the decomputing ones in specific subsets: de-networking questions the ways we consider webs of relations and connections with others; de-scaling prevents us from embracing abstract one-fits-all solutions with global aspirations and colonial effects; de-platforming (ourselves) as the reappropriation of the administrative responsibility over our own online presence; de-cloudifying as embracing asymmetries and asynchronicities in the interaction with files and folders across networks. By starting to label and address these alternative options first, we initiate a counter-strategy where shifting our vocabulary leaves space for rethinking our technological engagement.

 

The question is ultimately how to engage and react to this hyper-visibility, and whether there are strategies to twist around the dichotomy between being visible and, at the same time, hiding from the extractive surveillance tech. While developing the conceptual skeleton of the festival, the same logic of “radical openness” offered a strategic answer.

 

Being radical means consciously choosing to oppose a dominant system, favouring forms of total rupture rather than adaptation. This entails a clear awareness of both the advantages (pluses) and the disadvantages (minuses) that follow from it, as well as a willingness to accept their consequences. It is a position that is rarely easy or free of friction; it often requires compromise, commitment, and a degree of sacrifice, whether in terms of time, money, or other resources. At the same time, it is not merely an act of refusal, but also a (moral and social) commitment to choosing and sustaining alternative ways of thinking, acting, and organising.

 


Programme highlights

Exhibition: From the Ashes of the Burnout Machine
Galerie MAERZ

“From the ashes of the burnout machines” is an exhibition project that highlights how individuals, societies and the environment are exploited and “burned out” by, among other things, an extractive and profit-oriented model of digitalization. The exhibition approaches digitalization not as an abstract or immaterial force, but as a condition that permeates infrastructures, ecologies, and social life. Burnout becomes a diagnostic lens through which to understand the contemporary moment: a state produced by regimes of extraction, acceleration and exhaustion that operate simultaneously on bodies, environments and technological systems. More info↗

Lectures, panels and keynotes

A dense programme of lectures, keynote talks, and panel discussions brings together artists, researchers, and technologists to critically engage with themes of opacity, digital infrastructures, and resistance. From speculative approaches to data erasure and decentralised systems to transfeminist hacking practices and critiques of AI governance, the sessions foreground diverse perspectives on how to navigate and challenge contemporary techno-political conditions.

 

Workshops

The workshop programme offers hands-on formats that translate critical inquiry into practice, inviting participants to experiment with tools, infrastructures, and collective processes. Ranging from server-building and alternative networking to text-mode art, data activism, and community-oriented tech practices, the workshops emphasise skill-sharing, collaboration, and situated forms of technological agency. Places are limited, enrol now in the workshops!

Nightline

Once more, the AMRO Nightline presents an eclectic compound of sound and media explorations. It builds from vibrating textures, distorted signals and meditative scenarios, towards plunderphonics, re-formulation of folk, hyper-pop and IDM.
Testing the limits of machines and social collaboration, the evening increases its speed and loudness in a joyful collective encounter, to dissolve again in the ephemeral. Using open source technologies, the lineup artists weave poetry and storytelling. Beyond being "unreadable", the space becomes relatable, and a listening dance floor.
More info↗ Nightline program↗
 

Decay and Desire
bb15

Two immersive installations by jiawen uffline, Maja Bojanić and Brin Žvan from Ljudmila Art and Science Laboratory blur nature's irrational forces with institutional critique and artivism. Both works invite visitors to participate in order to activate them. The exhibition explores ideas of communication and sustainability and creates a parallel realm where visitors gain agency.
More info↗


 

AMRO26 | Podcast

On air #1: What exactly is AMRO? And how do free software, art, and social change intersect?

In this first episode, we speak with Aileen Derieg – translator, media activist, and curator of AMRO26 – and Ushi Reiter, curator and co-founder of AMRO.
Since its beginnings, the festival has positioned itself as a platform for exchange, critical thinking, and collective experimentation.
The conversation highlights how the principles of free software have profoundly influenced the cultural and artistic landscape. A key focus of this year’s edition is the theme “Becoming Unreadable.” It explores strategies of withdrawal and resistance against total legibility and exploitation within digital systems.
What does it mean to evade constant surveillance and data capture? And how can art open up new spaces for ambiguity and self-determination?


Curated by Anna Jungwirth

0:00 / 0:00
hosted by cba

 



Follow us

We use our Mastodon account↗ to activate the community during the festival.

Further info is also in the AMRO newsletter↗

We are not happy with Meta. Our main focus is on Mastodon, the newsletter and other ways of communication. 
We are aware that many are still here; we post as well, but reluctantly. Consider joining the fediverse.
 



Press

You can download here a copy of the AMRO26 Press-kit↗
The texts, pictures, and their content may be freely used for editorial purposes. 

For press inquiries, interviews and further information, please contact: 
Local press & Social media | Anna Jungwirth | amro@servus.at
International press | Maria Orciuoli | maria@ko-hum.com