Two immersive installations by jiawen uffline and by Maja Bojanić and Brin Žvan from Ljudmila Art and Science Laboratory blur nature's irrational forces with institutional critique and artivism.
Under the guise of “cutting unnecessary red tape”, the European Commission proposed profound changes to the Union’s regulatory framework for the protection of personal data.
Based on the practices of eeefff — an artistic cooperation and made-up institution working across poetic computations and “infrastructures of imagination” — the lecture will focus on techno-politic
This presentation and workshop explore not just what it means to become unreadable in the face of technofascistic and hyperindividualizing regimes, but also what it may mean to cultivate our lively
"> Do we need a shared understanding of democracy as a society? > Would such an understanding help us work for peace and against polarization? > And how would we get there?
This presentation and workshop explore not just what it means to become unreadable in the face of technofascistic and hyperindividualizing regimes, but also what it may mean to cultivate our lively
Running your own communications infrastructure has obvious benefits.
The Framework of the "Democracy-Repaircafe" was already part of AMRO2016 to work on the idea of "liquid-autonomy" of Hans Christian Voigt. We are happy to be back again with a somehow follow up.
In this workshop, we aim to join forces to collectively mourn the landscapes being lost due to data center construction and explore ways to fight these thirsty data vampires and how to get rid of t
How can we protect our websites from data scraping by tech giants? Will AI crawlers erase the internet? How can we make the web a safer space for expressions?
Do you ever find yourself missing your old family computer? Was there ever a moment dedicated to remember and reminisce what it brought to your life? What does it mean to be dead digitally?
Building upon previous artworks around censorship, hiding, and erasure, this lecture performance extends these concerns into techniques for making materials difficult—or impossible—to read.
Pastagang is a radically open, creative group of people who make live music and visuals with code. Anyone can join Pastagang, which means that anyone can join the performance.
3NCRYPT1NG SM1L3Y F4C3S is a live-coding performance in which unreadability is explored playfully.
Living pseudographics is the duo of Adel Faure on the visual side and Ralt144MI on the sound side.
A new improvised modular synthesizer performance for AMRO 2026. This performance will be in opposition to the passifying nature of LLM-powered human-machine conversation.
For this audiovisual performance, MSHR has designed a digital system that links visual and sonic parameters using open-source software.
Computers are music machines that bear the burden of heavy daily work in recording studios, artists' studios, and on stage.
“Lament” is a performance for mourning in public. It is a space for processing the destruction caused by Big Ideas.
In a sensitive play, guided by deep listening, focusing on sound for itself, Arnica Montana improvises and interacts with electronic modules which reply to her with unpredictability and high sensit
