Program 2024

Thursday 09.05.

00:00 - 24:00

The project Under the Calculative Gaze investigates how socially applied AI is not only directly intertwined with unresolved injustices of the prevailing socio-economic system, but actually enables

In 2018, leading car manufacturers, taken aback by the advents of Google and Tesla, invested a lot of money in research on autonomous vehicles.

10:00 – 13:00

AMRO starts with a session dedicated to critical reflection about historical narratives, on the extractivism and colonialism of the cloud, as well as the possibile modes of reseeding resistance.

11:00 – 13:00

An Almanac of Permacult-Rural Computing

13:00 – 15:30

This workshop will give a brief introduction to the live-coding language TidalCycles and how it can be used for networked, collaborative creation of music.

14:00 – 17:00

Drawing from a conspiracy theory from the late 2010s/early 2020s, known as the Dead Internet Theory, which suggested that the majority of online content and interactions were

14:00 – 18:00

Elliot Perkins, a member of the sound art collective Ultra-red invites festival's participants to consider the question What is the sound of the conflict we cannot hear?

14:00 – 16:00

15:00 – 17:00

Saikei is Japanese art form of miniature planted landscape. This workshop will be about finding balance between plants and supportive electronic circuits .

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how many emails does it take for you to finally get paid?

15:30 – 18:30

17:00 – 18:00

In 2018, leading car manufacturers, taken aback by the advents of Google and Tesla, invested a lot of money in research on autonomous vehicles.

19:00 – 21:00

 

Netzpolitischer abend #71 / AMRO24 edition

hosted by Magdalena Reiter

21:30 – 22:30

The Vienna Networked Improvisers are an ever changing ensemble of live-

Putting the principles of aesthetic resistance into practice, Cable Knit Sweater (David Miller and Sarah GHP) tug threads of improvisation, responding to machines and one ano

21:30 – 02:00

Driven by synths, voice, electrosmog, radical glitches, media memories and techno frenetic soundscapes, this year's nightline looks into sociopolitical relations between body, spac