Program 2024

In 2018, leading car manufacturers, taken aback by the advents of Google and Tesla, invested a lot of money in research on autonomous vehicles.

The project Under the Calculative Gaze investigates how socially applied AI is not only directly intertwined with unresolved injustices of the prevailing socio-economic system, but actually enables

AMRO Showcases

at afo – architekturforum oberösterreich

Opening Hours: May 8th – 17th
Wednesday – Friday, 3 – 6 pm or individual appointments

AMRO starts with a session dedicated to critical reflection about historical narratives, on the extractivism and colonialism of the cloud, as well as the possibile modes of reseeding resistance.

An Almanac of Permacult-Rural Computing

This workshop will give a brief introduction to the live-coding language TidalCycles and how it can be used for networked, collaborative creation of music.

Short presentation on habiTAT https://habitat.servus.at/ by Taro

Drawing from a conspiracy theory from the late 2010s/early 2020s, known as the Dead Internet Theory, which suggested that the majority of online content and interactions were

Elliot Perkins, a member of the sound art collective Ultra-red invites festival's participants to consider the question What is the sound of the conflict we cannot hear?

Saikei is Japanese art form of miniature planted landscape. This workshop will be about finding balance between plants and supportive electronic circuits .

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how many emails does it take for you to finally get paid?

Learn how to collaboratively code music with Flok and Mercury.

In 2018, leading car manufacturers, taken aback by the advents of Google and Tesla, invested a lot of money in research on autonomous vehicles.

Netzpolitischer abend #71 / AMRO24 edition
hosted by Magdalena Reiter

The Vienna Networked Improvisers are an ever changing ensemble of

Putting the principles of aesthetic resistance into practice, Cable Knit Sweater (David Miller and Sarah GHP) tug threads of improvisation, responding to machines and one ano

Driven by synths, voice, electrosmog, radical glitches, media memories and techno frenetic soundscapes, this year's nightline looks into sociopolitical relations between body, spac